October 22, 2014 -- Wednesday
平成二十六年十月二十二日　－－　水曜日




Princess Mononoke (もののけ姫, Mononoke-hime, "Spirit/Monster Princess") is a 1997 anime epic action historical fantasy film written and directed by Hayao Miyazaki. It was animated by Studio Ghibli and produced by Toshio Suzuki. The film stars the voices of Yōji Matsuda, Yuriko Ishida, Yūko Tanaka, Kaoru Kobayashi, Masahiko Nishimura, Tsunehiko Kamijo, Akihiro Miwa, Mitsuko Mori and Hisaya Morishige.


Princess Mononoke is set in the late Muromachi period (approximately 1337 to 1573) of Japan with fantasy elements. The story follows the young Emishi warrior Ashitaka's involvement in a struggle between forest gods and the humans who consume its resource. The term "Mononoke" (物の怪 or もののけ^?) is not a name, but a Japanese word for a spirit or monster.


Princess Mononoke was released in Japan on July 12, 1997, and in the United States on October 29, 1999. It was a critical and commercial success, becoming the highest-grossing film in Japan of 1997, and the highest-grossing there of all time until Titanic was released later that year. It was translated and distributed in North America by Miramax Films, and despite a poor box office performance there, it sold well on DVD and video, bringing Ghibli attention in the West for the first time.

A central theme of Princess Mononoke is the environment. The film centers on the adventure of Ashitaka as he journeys to the west to undo a mortal curse inflicted upon him by Nago, a boar turned into a demon by Eboshi. Michelle J. Smith and Elizabeth Parsons said that the film "makes heroes of outsiders in all identity politics categories and blurs the stereotypes that usually define such characters". In the case of the Deer god's destruction of the forest and Tataraba, Smith and Parsons said that the "supernatural forces of destruction are unleashed by humans greedily consuming natural resources". They also characterized Eboshi as a business-woman who has a desire to make money at the expense of the forest, and also cite Eboshi's intention to destroy the forest to mine the mountain "embodies environmentalist evil".

Two other themes found in the plot of Princess Mononoke are sexuality and disability. Michelle Jarman, Assistant Professor of Disability Studies at the University of Wyoming, and Eunjung Kim, Assistant Professor of Gender and Women's Studies at the University of Wisconsin-Madison, said the disabled and gendered sexual bodies were partially used as a transition from the feudal era to a hegemony that "embraces modern social systems, such as industrialization, gendered division of labor, institutionalization of people with diseases, and militarization of men and women." They likened Lady Eboshi to a monarch^. Kim and Jarman suggested that Eboshi's disregard of ancient laws and curses towards prostitutes and lepers was an enlightenment reasoning and her exploit of using disability furthered her modernist viewpoints.

Dan Jolin of Empire said that a potential theme could be that of lost innocence. Miyazaki attributes this to his experience of making his previous film, Porco Rosso, and the wars in the former Yugoslavia, which he cites as an example of mankind never learning, making it difficult for him to go back to making a film such as Kiki's Delivery Service, where he has been quoted as saying "It felt like children were being born to this world without being blessed. How could we pretend to them that we're happy?"

http://en.wikipedia.org/wiki/Princess_Mononoke


Students take language, character, and plot notes during film and hand them in at the end of the period.